Leonardo da Vinci’s famous drawing of the human body is called “The
Vitruvian Man” based on these proportions:
4 fingers make 1 palm, and 4 palms make 1 foot, 6
palms make 1 cubit; 4 cubits make a man's height. And 4 cubits make one pace and 24 palms make a
man. The length of a man's outspread
arms is equal to his height. From the
roots of his hair to the bottom of his chin is the tenth of a man's height;
from the bottom of the chin to the top of the head is one eighth of his height;
from the top of the breast to the roots of the hair will be the seventh part of
the whole man. From the breast to the
top of the head will be the fourth part of man. The greatest width of the shoulders contains
in itself the fourth part of man. From the
elbow to the tip of the hand will be the fifth part of a man; and from the
elbow to the angle of the armpit will be the eighth part of man. The whole hand will be the tenth part of the
man. The distance from the bottom of the
chin to the nose and from the roots of the hair to the eyebrows is, in each
case the same, and like the ear, a third of the face.
See: http://octagonmystic.files.wordpress.com/2009/07/vitruvian-man.jpg
Albrecht Durer’s idea of the male and female ideal is shown in his
engraving of Adam and Eve from 1528.
The Buddhists also defined ideal proportions for the body, which had to
be applied to images of Buddha:
The span is the basic measure, i.e. the distance from
the tip of the middle finger to the tip of the thumb of the outspread hand. This distance corresponds to the space between
the dimple in the chin and the hair-line. Each span has twelve finger-breadths. The whole figure measures 108 finger-breadths
or 9 spans.
See: http://www.buddhanet.net/e-learning/history/buddhist-art/image.htm
The ideal dimensions of the ancients, used in their architecture, and used
also to define the ideal human body, are based on so-called “golden ratios”. The 13th-century scholar Leonardo Fibonacci discovered
that if you start a number series with 0 and 1, then add
any two
adjacent numbers to obtain the next integer, the series that results has the property
such that the ratio of any two successive numbers converges on the golden
number phi.
See: http://en.wikipedia.org/wiki/File:Mona_Lisa_Golden_Ratio.jpg
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